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Although Evans has worked as a traditional painter for over 4 decades now, his interest in utilizing the computer as an artistic tool goes all the way back to the mid 1990s when he began experimenting with digital printmaking at David Adamson Editions in Washington, D.C., one of the pioneers of that medium. In 1994 he created a digitally manipulated image for the “Washington Portfolio” the first all digital print portfolio produced in the fine art world. The portfolio was eventually acquired by a number of prominent museums and public collections, including the Corcoran Museum of Art, American University, and the Federal Reserve Board, helping establish digital printmaking as a valid art form. Evans' print was subsequently featured on the cover of Digital Imaging Magazine in 1995.

 

Evans eventually purchased his own large format archival digital printer and has continued to explore the possibilities of manipulating and creating images digitally. Evans often works back and forth between digital/physical as he develops concepts for physical paintings or stand alone digital works. NFTs have recently provided an incredible opportunity to present, archive and sell such works – enabling him to also bring new dimensions to the work such as the element of time through animation and owner/artist interactive capabilities.

 

Evans' NFTs have been minted on numerous platforms such as SuperRare, Foundation, 1stDibsNFT, OpenSea and Objkt.com. They have been exhibited online in ArtMeta's Octopus Contemporary Art Museum (OCAM) and a solo exhibit at Monolith Gallery, as well as in physical exhibits at the Institute of Conetemporary Art (ICA) London and a special exhibit at the Davos World Economic Forum in Switzerland and in Cohort9, an ehibit organized by Accelrate Art at the Triangle Loft as part of NFT NYC. His NFTs can be found in many prominent collections including the Tezos Foundation Permanent Collection, Laurence Fuller, Deltasauce, Goldcat, and many others.

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